The end of our week-long tribute to the first half of the 2000s takes us to the exotic universe of Stamatis Spanoudakis, the unique harmonies of Trifono, the folk melancholy of Orfeas Peridis, the reggae carefreeness of Locomondo.
Τα ελληνικά 2000s: Η σοδειά του ’04
Το τέλος του αφιερώματός μ...
From Kore.Ydro to Sigmatropic and from Dimitris Papadimitriou to Evanthia Reboutsika, the yield of 2003 carries an interesting blend of innovation and melodiousness. Art song, rock ballad, music for films, bright moments of a variety of genres that carry the thrust from the end of the 20th century.
Τα ε...
Singer-songwriters such as Sokratis and Thanasis? Rock mega-bands such as Ypogeia Revmata? Ethnic priestesses such as Kristi Stasinopoulou? Masters of melody such as Stavros Lantsias? 2002 had it all.
Τα ελληνικά 2000s: Η σοδειά του ’02
Τραγουδοποιοί όπως ο Σωκράτης και ο Θανάσης; Ροκ συγκροτή...
The cosmopolitanism of Savina Yannatou meets the robustness of Dimitris Mitropanos, the I provisation of Mode Plagal coexists with the folk immediacy of Mario, the dark narrations of Loudovikos ton Anogion goes hand-in-hand with the protest spirit of Miltos Pashalidis. 2001 - One more year in the life...
Today, and throughout the rest of the week, we are exploring the first half of a fascinating decade, the 2000s, and the music that was produced back then in Greece. Our destination: Music released in the year 2000.
Τα ελληνικά 2000s: Η σοδειά του ’00
Σήμερα, και καθ' όλη τη διάρκεια της εβδομ...
From hymns to dithyrambs, Ancient Greek music contains forms of music that correspond to different occasions and aspects of social life. Our knowledge of this music is founded on fragments of scores, literary references and other sources, and is enriched by the work of pioneering artists-researchers...
Petros Tabouris is a prominent musician and researcher who has extensively reconstructed and recorded music connected with the Greek antiquity. His work includes performances of hymns, odes and fragments, among others. Throughout this week, we are appreciating his vision of how Ancient Greek music might...
After discovering Byzantine ecclesiastical music and the theory of Greek popular music, and meeting musicians, Petros Tabouris became involved in composition and research. In the 90s, he released many records in Greece and in Europe and has made a study of ancient and medieval/post-Byzantine music and...
Ancient Greeks believed that music influenced the behaviour, the ethos, the character of people. And they understood music as a reflection of something much bigger and much more significant: universal order and harmony. The rich discography of Petros Tabouris includes efforts to approach and imagine...
Music played a central role in the daily life of Ancient Greeks, in all of its dimensions: civic affairs, theatre, religion, education, recreation. Indeed, it is hard to think of a human action that was carried out without the presence of music. This week, we are exploring the fascinating connection...
There is a strong connection between the rebetiko genre and the bouzouki. Thankfully, however, the sound of the bouzouki continued to be at the heart of Greek song in its post-rembetiko evolution, towards folk (laiko) and art-folk paths. Our week-long tribute that ends today highlighted the autonomy...
Tsitsanis, Papaioannou, Mitsakis, Papadopoulos, Nikolopoulos – so many bouzouki virtuosos, so many timeless moments of expression with Greece’s most popular musical instrument, without words!
Produced and presented by Hercules Economou
Playing the bouzouki is no easy task - a good bouzouki player must be in a position to produce a clear and deep sound at a high speed. It requires commitment, initiative and discipline. But the reward is immeasurable: an endless potential for musical expression, as reflected in the recordings of bouzouki...
Three-string or four-string, for songs or for instrumentals, with taxims or without taxims, played by some old rebetiko master or by a modern kompania – the bouzouki was and still is the king of Greek folk music. From Lakis Karnezis to the Bouzouki Kings, let us appreciate once more the touching sound o...
Today, and throughout the rest of the week, we are celebrating, once again, Greece’s most recognizable and popular musical instrument, which has lent its sound to thousands of songs and instrumentals. Here come some of the most powerful, evocative, truly inspiring melodies by some of the country’s gre...
Puzzlemusik does not have a specific collective sound. This is not a simply “alternative”, “post-rock”, “jazz”, “electronic’, “contemporary classical”, “experimental”, “free improvisation” label. The sound of Puzzlemusik is the summing up of the personalities of its artists; each artist being a piece o...
Puzzlemusik is an independent label based in Athens, Greece. It was founded by the Greek art-pop figure Christos Alexopoulos on September 21, 2006. The aim of Puzzlemusik is to include in its roster artists who have their own, personal, recognizable, distinctive, hopefully unique “voice”. Whatever the...
Throughout this week, we have been celebrating the rock, indie and electronic masterpieces found in the catalogue of Puzzlemusik label. Today, our track list will be focused on the more jazz side of things, with fascinating contributions by George Kontrafouris, Billy Pod, Yiannis Kassetas, Ntinos Manos,...
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